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Robert Bullard Press Clipping
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Like you probably, I am not really a fan of modern music. But just as we
were heading off for our usual trail around town we suddenly realised
that we should give the music a try.
After all, not only was the concert free but how often, we asked one
another, do we get the opportunity to hear contemporary music here in
Shropshire? The evening sounded so intriguing we had to give it a go.
Years later I have become quite a fan of the Birmingham Contemporary
Music Group’s (BCMG) annual visits to the county, and whose 2006 series
is now underway (see below).
Don’t dismiss them without thinking, as we nearly did. Speaking from
experience you cannot help enjoying the audience-friendly evenings –
evenings that last year won the Royal Philharmonic Society Award for
Audience Development.
The words ‘contemporary music’ might put you off, but you needn’t be
worried. Some of the pieces sound like traditional classical music;
others are intriguingly creative. But all are explained to you
beforehand – sometimes by the composer themselves, who has flown in for
the occasion!
What’s more, you can talk to the musicians during the interval over your
free glass of wine. And if all that is not enough to encourage you to
give the concerts a try, bear in mind that some of the pieces are only
being performed for the third or fourth time ever - here in Shropshire!
It’s complete chance that the county benefits from all this, as I
discovered when I quizzed BCMG’s artistic director, Stephen Newbold. The
aim of the concerts is to cultivate an interest in contemporary
classical music, and targeting one area, BCMG decided, was the way to do
it. We might sometimes think of Shropshire as sleepy and remote, but
here we struck gold.
It was Sir Simon Rattle and players from the City of Birmingham’s
Symphony Orchestra that formed BCMG back in 1987. Nineteen years later
the group has become one of Europe’s leading ensembles and has won
several awards for their achievements.
Much of BCMG's work is centred on performing new pieces, and to their
credit many have been commissioned with the help of funding they have
nurtured from enthusiastic supporters, under BCMG’s Sound Investment
scheme. Here, investors donate a modest sum and in return get invited to
rehearsals and the first performance, as well as receiving a certificate
to mark their contribution or a signed copy of the score.
Indeed, this year’s series includes a world premiere by a leading
British composer, Simon Holt (concerts on 23rd April, at Chelmarsh and
Edgton Village Halls) as well as a performance on African djembe drums
by Adrian Spillett, Shropshire’s former Young Musician of the Year (19th
March, Cleobury Mortimer).
As you will see from their list of venues, BCMG is committed to getting
the widest possible audiences to attend its events, so they often play
alongside children and perform in schools, and all their concerts are
held in small towns and remote village halls.
Actually, there is one exception this year when BCMG team up with a tour
by America’s leading jazz composer and trumpeter, Dave Douglas, for a
concert in Shrewsbury’s Music Hall on 6th April.
Yes, I have to admit that some of the BCMG music has been a bit beyond
me, and I cannot say I have bought a CD. (Rather refreshingly actually,
there are no CDs on sale!) But all the evenings I have attended have
been unforgettable experiences, and isn’t that what Saturday nights
should be?
Tickets from the venues or from BCMG, Tel. 0121 616 2616
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