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Robert Bullard Press Clipping
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Film talent is home grown
ROBERT BULLARD discovers how a pioneering film-making project has helped
one local director to gain priceless exposure at the Cannes Film
Festival
It may not be Star Wars: Episode III, or the latest Wallace & Grommitt,
but the work of a Shrewsbury filmmaker is also on view at Cannes! Sam
Moore, from Shrewsbury, is the town’s little-known but clearly talented
rising star of a film director. On the back of other work commissioned
and shown by Channel 4, her latest piece, ‘Doubled Up’, is currently on
show in the British Council’s tent at the Cannes Film Festival.
(Shropshire Star – May, 2005)
“Everyone is living in a really privileged time”, explains another of
Shropshire’s homegrown talent of new movie makers, Arron Fowler. “Never
before have there been the opportunities that now exist in Shrewsbury –
even in cities!”
Things took off in Shrewsbury for Arron and others a couple of years
ago, when a project called ‘NewMakers’, based at the Belmont Arts
Centre, gave seven local media graduates access to film-making equipment
and recording facilities, along with advice and support for getting
themselves started. And now all bar one are working as artists of some
kind or another.
Not that getting started in the media world is easy. Firstly, getting
paid work or funding to make films is hard, and can require years of
just working around the edges. Second, even a short two-minute piece can
take months to produce. And third, the precarious income means that
additional, part-time work is required to pay the bills.
But thanks to a follow-on lottery-funded project called MediaMaker, the
Arts Centre has been able to keep the film making going by offering
artists commissions for new work, as well as training and exhibiting
opportunities.
“It has gone well,” says Martin Sumner, the project’s co-ordinator. “I
am really pleased with the artists that have emerged.”
Eight artists screened work in 2003, there were nearly double that the
following year, and in 2005 so far numbers have already reached 30.
These days there is also more diversity in what is being produced – but
you need to keep up with the terminology! There is three-dimensional,
interactive work; moving image, single-screen film; sculptural pieces,
that go round-and-round on a loop; and lastly, animation. And next month
sees a showing of dance on film.
The project has helped create a network of new talent, with a nucleus of
people working together and learning off one another. And over the last
18 months the once controversial Old Market Hall – one of whose
justifications was that it would provide an output for digital media
work - has provided a valued venue for emerging artists to show and
received feedback for their work.
“Belmont has been incredibly important, and is now a hub of activity”,
says Sam Moore.
With a background in fine art, Sam has developed an interest in using
animation to make documentaries – extending it beyond its traditional
role as something for children and as a creator of fantasy. And her
latest work - through a mix of reflections, graphics and music –
engaging explores some of the issues in having twins, which Sam
experiences in real life on a daily basis.
Also interested in animation is Harriett Gillian, from Meole Brace. Her
interest stemmed from studying media at Shrewsbury’s Sixth Form College,
and she is now finishing her degree in Time Based Media, in Bristol.
“I am not a skilled illustrator”, she says, openly. But her two-minute
work, ‘Scissorbill’ - produced on her computer at home, with musical
input from a fellow student at the Royal Academy of Music - won popular
acclaim for its originality and whimsical nature at a recent showing at
OMH.
Martin hopes that the MediaMaker project will be enough to deter the
talents of people like Sam and Harriett from heading off to the big
cities.
“To at least think about stopping here”, he prays. Or at the very worst
coming back to do a ‘residency’ – which means using the facilities and
providing training to inspire and assist new talent to come forward.
Next year Martin plans to make a DVD, featuring the best work to come
out of Belmont, and to take an exhibition of the NewMakers work,
‘Agenda’, on tour around the West Midlands. Before that, he hopes to
have heard the outcome of an important application for a further two
years funding from the Arts Council.
“Across the region there is now a growing awareness of the work produced
out of the MediaMaker project”, says Martin. “It is now a small but
thriving community – the beginnings of a pretty vibrant scene, here in
Shrewsbury.”
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