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Robert Bullard Press Clipping
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What painting have you chosen?
It is called ‘Walk to the Mountains’, and was painted by Olwen Tarrant.
She is President of the Royal Institute of Oil Painters, and is the
first women to be elected to that post. I saw the painting when I opened
the Institute’s annual exhibition at The Mall galleries in London a few
years ago. Afterwards I was presented with a copy of the work as a
‘Thank You’, and now it hangs in my house.
Why have you chosen it?
I like the perspective of it. There are the mountains at the back, the
cluster of houses in the middle and the solitary figure in the
foreground. I also like the fact that who the person is, and what they
are doing, is open to interpretation. It could be a tourist, strolling
along; it could be anyone going about their day’s business; or it could
be someone that - like the mountains before them - has a distant
objective in mind. I believe the painting is of somewhere in Majorca.
It’s not a place that I know or anything; I just like what the painting
conveys.
What type of paintings do you like?
I tend to like paintings of rural scenes, and in particular traditional
landscapes. Most of what I have on my walls tends to be paintings of a
church, a few cattle, that sort of thing. In fact Olwen Tarrant does
rather a lot of rural landscapes, although this is the only work of hers
that I have.
I don’t claim to have a very educated eye, and I don’t really like
modern art. I like things that have a clear structure, where things are
the right size and painted from the normal perspective. I don’t have the
time to go to art galleries. But I did sit for artist once – June
Mendoza, who I met at the same exhibition as above. She asked if she
could paint me and did a lovely painting of me sitting on a chair, at
home. I am very pleased with it, and that too hangs on my walls.
Do you have any other favourite paintings?
There is only one painting that really sticks out in my mind and that is
‘Fidelity’ by Briton Rivière (1840-1920). It is quite a departure from
the rural landscapes that I usually like. It is a painting of a man in
prison, slumped into despair, with a dog faithfully at his side, resting
his mouth on his master’s knee. (Rivière painted it in 1869, and named
it Prisoners, but it was renamed after it was purchased by William
Hesketh Lever in 1903.)
I saw the painting when I worked as a trainee for Unilever, in
Birkenhead and, years later, I thought of it many times when I was
Prisons Minister (1995-97). It took me a while to locate it – it now
hangs in the Lever Art Gallery, in Port Sunlight – but it is years since
I last saw it. I do at least have a fridge magnet of it, but that’s all.
So I very much hope to see it again one day.
Artist Profile
Olwen Tarrant (born 1927) is a painter and sculptor. She trained at Sir
John Cass College of Art in East London and has won many prizes for her
work including the Alan Gourley, Cornelissen and Llewellyn Alexander
awards. She paints from her studios overlooking the famous Malvern
Hills, Worcestershire, but for much of the summer lives in Puerto
Pollensa, in the north of Majorca, where she says she tries ‘to convey
the excitement of the sunlight dancing over the landscape.’ She was
first woman to be elected President of the Royal Institute of Oil
Painters in its 121-year history.
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